Egyptian Production House — A Younex Solutions project
Younex Solutions

Egyptian Production House A production house in Egypt

Seven production services, each with its own page and its own audience, on a bilingual site that shows the work without slowing down

Egyptian Production House opened in 2022 and works across advertising, event production, photography, live streaming, sound and post. It has delivered more than a hundred projects for names like Red Bull and Shineray.

The catch is that those seven services do not share an audience. Someone looking for a commercial shoot is not the person looking for a conference producer. So every service got its own page written for the people who search for it, and the work section gives each project a page of its own with its stills and its story.

What we did

  • Site architecture for seven production services
  • A dedicated page per service, written for its audience
  • A work section with a page for every project
  • Full Arabic and English versions
  • Dashboard for work, services and copy
  • Technical SEO and structured data in both languages

The site runs fully in Arabic and English, each with its own routes, content and structured data, rather than one language bolted onto the other. The EPH team adds work, edits services and updates copy from the dashboard.

The dark palette with restrained gold is a deliberate choice for this trade: a black background lets the footage and stills carry the page, and the gold marks what matters without competing with the work on screen.

PHPMySQLDashboardBilingualSEOStructured data
Egyptian Production House — The EPH home page on mobile
Egyptian Production House — The services page on mobile
Egyptian Production House — The work section on mobile
EPH Space Grotesk English and Latin headings
إنتاج Tajawal Arabic body text
EPH Gold #C8A45C
Light Gold #D9C289
Ink #151515
Night #0B0B0B
Services

Seven services, seven pages, seven audiences

The person after a commercial shoot is not the person after a conference. Instead of one services page that lumps them together, each service has its own page written for its audience and its own route to get in touch.

eph-eg.com
The services page on the EPH site
Work

The work reads as a story, not a gallery

Every project gets its own page with its stills, its details and the part EPH played in it, from Shineray commercials to Red Bull coverage. The visitor understands the work instead of only looking at it.

eph-eg.com
The work section on the EPH site
Service page

Written around the questions a client already has

The advertising page sets out the scope, the stages and what gets delivered, and ends with a consultation booking. The answers are there before the client asks.

eph-eg.com
The advertising service page on the EPH site
Home page

From the hero to a booked consultation

The showreel, a short introduction, the seven services, the client roster, EPH in numbers, selected work, and how the shoots come together.

eph-eg.com
The full EPH home page

Egyptian Production House is a production company in Egypt, founded in 2022, working across a wide spread of things under one roof: advertising, event production, photography, live streaming, a sound studio, editing and post-production. The company has delivered more than a hundred projects for names like Red Bull and Shineray, and for startups still finding their feet.

The challenge

A production company offering seven genuinely different services runs into an obvious problem: the person looking for a commercial shoot is not the person looking for a conference producer, and someone who needs a sound studio has nothing to do with either. A single services page that puts them all in one basket loses all of them.

There is a second challenge particular to this trade: the work itself is visual, and the site has to present it at a quality that does it justice without becoming so heavy that it ruins the experience.

What we did

We built the site with a separate page for each of the seven services, every one written for its own audience and ending in a clear route to get in touch. And we built a work section where every project has its own page with its stills and its detail, so the work reads as a story rather than a gallery.

The site runs in two complete languages, Arabic and English, each with its own routes, its own content and its own structured data, rather than one translation laid over the other.

The visual identity is dark with a restrained gold, and that is a deliberate choice in this trade: a dark background lets the photographs and the video carry the page, and the gold works as a marker for what matters without competing with the work on screen.

The result

The site now works as a complete front door for the company: a client reaches the service that concerns them straight away, sees real work inside it, and books a consultation from that same page. And the EPH team adds work, adds services and updates the copy from the dashboard without coming back to us.

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